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	<title>Comments on: New Singing Ed Resource : UK&#8217;s &#8220;Sing Up&#8221;</title>
	<link>http://articles.choirworks.com/archives/29</link>
	<description>Resources and news for choral conductors, educators, composers and choristers</description>
	<pubDate>Sat, 05 Jul 2008 12:50:48 +0000</pubDate>
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		<title>By: singingman</title>
		<link>http://articles.choirworks.com/archives/29#comment-49</link>
		<dc:creator>singingman</dc:creator>
		<pubDate>Mon, 03 Dec 2007 22:49:04 +0000</pubDate>
		<guid>http://articles.choirworks.com/archives/29#comment-49</guid>
		<description>I applaud this 'new' initiative by the UK government, but ...

Doubtless it can improve social skills, memory, etc., but what happens when the children leave the school environment?

It seems to me that this is another case of pendulum swinging: there was once vibrant music provision in all UK schools which has since been cut back, and now the government want to re-instate it. But how will this affect the place of music in people’s lives as they get older? It’s all very well pumping money and effort into kids’ 12 or so years at school, but what then? Why do people not keep up singing through their 20s and 30s in general?

There are so many initiatives these days for particular, well-defined groups like the young, the disadvantaged and the old. But what about the people in the middle? All that money and effort goes into introducing young people to music, then they’re left to their own devices when they leave school. Choirs are often seen as a little fuddy duddy and formal, and evening classes are for grown ups (besides, who wants to go back to studying so soon?!). There are youth orchestras, youth bands, youth choirs, young people’s workshops, song writing initiatives for young people, studios for kids, etc. etc. But then what?

Apparently the dark ages of music and singing in schools is over. No more: “stand at the back and mime”, or “you’re not good enough to be in the choir”. But I still get young adults coming to me who were thoroughly put off by their experience of music teaching in schools.

It could be argued that singing in a group is just not cool enough for young people once they’ve left school. But what about all the role models in pop music of boy and girl bands singing in close harmony? And how come that when people do eventually come back to singing, they say how much they’ve missed it?

Answers please, on a postcard to …

singingman

From the front of the choir: http://singing-thoughts.blogspot.com</description>
		<content:encoded><![CDATA[<p>I applaud this &#8216;new&#8217; initiative by the UK government, but &#8230;</p>
<p>Doubtless it can improve social skills, memory, etc., but what happens when the children leave the school environment?</p>
<p>It seems to me that this is another case of pendulum swinging: there was once vibrant music provision in all UK schools which has since been cut back, and now the government want to re-instate it. But how will this affect the place of music in people’s lives as they get older? It’s all very well pumping money and effort into kids’ 12 or so years at school, but what then? Why do people not keep up singing through their 20s and 30s in general?</p>
<p>There are so many initiatives these days for particular, well-defined groups like the young, the disadvantaged and the old. But what about the people in the middle? All that money and effort goes into introducing young people to music, then they’re left to their own devices when they leave school. Choirs are often seen as a little fuddy duddy and formal, and evening classes are for grown ups (besides, who wants to go back to studying so soon?!). There are youth orchestras, youth bands, youth choirs, young people’s workshops, song writing initiatives for young people, studios for kids, etc. etc. But then what?</p>
<p>Apparently the dark ages of music and singing in schools is over. No more: “stand at the back and mime”, or “you’re not good enough to be in the choir”. But I still get young adults coming to me who were thoroughly put off by their experience of music teaching in schools.</p>
<p>It could be argued that singing in a group is just not cool enough for young people once they’ve left school. But what about all the role models in pop music of boy and girl bands singing in close harmony? And how come that when people do eventually come back to singing, they say how much they’ve missed it?</p>
<p>Answers please, on a postcard to …</p>
<p>singingman</p>
<p>From the front of the choir: <a href="http://singing-thoughts.blogspot.com" rel="nofollow">http://singing-thoughts.blogspot.com</a></p>
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